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Modern Fields

May 24, 2022

Fields of Kilburn

I thought adding the original image adds way more fascination to enjoy the artwork. This photograph always comes back to my collection, because that field was my backyard in my flat in London. I used to sit in my white desk in front of one and only door/window of my flat and see the backyard, seeing the seasons change slowly with gratitude. I start to realize that the person in the photograph really impacts how I react to the choices of creating mixed media work. People with more memories give me a bit more confidence dealing with mediums, and I enjoy more. I guess it’s just inevitable.

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Modern Modesty

요즘 작업에 대한 새로운 생각들이 든다. 즉, 나는 엄청나게 많이, 아주 많이, 작업을 하고 있다는 것이다. 오래 되어 케케묵은 생각들이 바뀐다는 것은, 같은 노동이지만 새로운 반복이 들어오면서 그것들이 조금씩 새로운것으로 대체된다는 것이다. 나는 거의 매일, 작업을 해왔다. 월,수, 는 아틀란타에 나가서 학교를 갔다 오면 하루가 다 가기 때문에 월, 수 오전은 맥북으로 작업할 수 있는 작업을 했다. 사진 보정이나 온라인 과제, 블로그에 글 쓰기, 소셜 미디어에 올리기 등등. 그 외 나머지 화,목,토, 는 오전에 책을 읽고 글을 쓰고, 말씀과 예배 후 오후 내내 작업 속에 살았다. 처음엔 손목이 욱신거릴만큼 빨리, 그리고 집중해서, 엄청 난 양을 쏟아냈다. 손가락 마디마디가 뜨거워지는 느낌은 생전 처음이었다. 내 손 끝으로 거친 페인트가 수많이 칠해졌다. 금요일은 자화상 컬렉션 촬영을 꼭 했다. 금요일이면 주말 전이라 그런지 동네가 시끄러웠지만 그 소음 속 내 방 안에서 이루어지는 창조의 순간들에 희열을 느꼈다. 일요일은 피아노 반주와 소그룹 참여, 귀한 예배로 마음이 녹고는 하여 집에 오면 꼭 몇시간씩 낮잠을 잤다. 그리고 유튜브 작업을 했다.

반복되는 작업, 창조의 시간들이 반복되었다. 그렇게 서서히 두려움이라는 것이 녹았다는 것이라고 생각한다. 그리고 수면에 빛나는 은은한 달빛처럼, 작업 그것 자체, 오롯이 순수한 창조의 느낌이 무엇인지 아주 조금 알것같았다. 그 기쁨은, 그 누군가가 돈을 주지 않아도, 그 누군가가 칭찬해주지 않아도, 그 누군가가 기억해주지 않아도, 나는 내 작업을 함으로 내가 행복한 사람이 된다는것이다. 나는 이 사실을 미술 학교를 늘 다니면서 단 한번도 나의 사실이라고 생각해본적이 없었다. 내가 너무 사랑하는것이기 때문에, 늘 불안함과 두려움이 무겁게 동반했다. 그러나 드디어, 이 사실이, 나의 것이 되려는것 같아서 나는 웅장한 울림을 느낀다.

그리고 더 놀라운 사실은, 내 예술은 나를 배신하지 않는다는것이다. 절대로. 사람은 마음을 주다가도 떠나고, 사랑한다며 미칠듯이 절절 매다가도 결국 말만 할 뿐이고, 세상은 권력과 돈, 명예, 성공을 보여달라며 유혹하며, 조직이 주는 직장은 불합리성에 굴복함을 요구한다. 그러나 예술은, 절대, 내가 죽는날 까지, 배신하지 않을것이라는것이다. 예수님만큼은 아니지만 이토록 한결같고, 위대하고, 뿌리깊은 것을 내가 이렇게 오랫동안 공부하고, 달려오고, 매진하고 있다는것에 엄청난 희락을 느꼈다.

I’ve been reading an essay review about Henry David Thoreau, yes, the Walden, by my favorite writer from Korea. I have not read the Walden yet but now I need to because she wrote her essay with such delicacy and power. The whole book summarizes to this; “What is your Walden?” Meaning, what is your secret place that makes you alive just as you are, pulls out the deepest possibilities that you have inside. Thoreau went into the woods of Concord and lived there for 2 years, and after that time he was able to write his legendary book. He was able to encounter his own world. Right now, I believe I am creating my own Walden. I have my own world that nobody could understand, even I don’t sometimes, but it is definitely a world. There is a world in my photography, video, artworks. And I believe, there, my possibilities arise without limits. That is where I breathe. And I invite everyone.

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Self Lantern

May 24, 2022

Photography + Painting

This quarter has been so prolific, eye-opening, and a leap to my artworks. I’ve been always telling my friends that I just want to draw and paint on my photographs. I always felt that 2% lacking from my photographs, as not complete. These are just the first works of 20 paintings that I am finishing up soon, and the first 8 were done in two days with similar color palette. Being not bound to any medium is my freedom apart from photography- Photography is free in the means of going anywhere with the camera, but that is sometimes too physical to me. Being free with my tips of my hands in my studio table, in a small space but unlimited in my imagination, feels more free to me.

I did go back and forth between just painting figures and adding photography and collage- whilst praying, I had a genuine feedback from my painting professor to look back on my paintings emerged with my portrait photography. He said they had more “vitality.” Right after I got home the next day I poured all the inspirations, advice, thoughts I had for the last few days that had accumulated. I just love that pouring out point after some days past without creating, as I realize I spent those days just absorbing everything that surrounds me. It’s kind of like re-fueling and driving, and that comes naturally to me when it comes to art. Yes, I think I used to be obsessed with “I need to create every day every day-” but that naturally faded away as I realized I do work everyday, but in terms of progress. I do not need to finish anything, but as long as I moved one step towards a new exploration of medium and style, I am content.

Self-Denial

This is my first work ever, and it is still my favorite above all rest 20. The diagonal composition came so naturally as I painted over the collaged paper and photographs, and it has been my go to composition these days. Everything was unplanned, without any sketch. I just love that moment where the Holy Spirit really emerges into the surface and shapes, lines, and strokes appear from my fingertips. I felt that a lot on this one, and since this one it took a while for me to really try to mimic this because I just couldn’t! I guess I have to call it as a happy mistake also a guidance of the spirit.

The Sunday of the week I created this the sermon was about self denial. I don’t know why listening to the sermon it reminded me of this work. What a perfect title. Breaking and vanishing away from my own selfish desires but going towards a more whole, perfect shape of me in Jesus.

The Lantern

I did try the right composition but I am not really fond of it. Other than that, playing with overlaps of color and texture was so rich on this one. I love when things turn out so differently as I put layer on layer. Trust me I don’t look like that but I love being out of boundaries.. (laugh) Also this was the first one to use my fabric that I bought from Estes park, Colorado, for like $3. Adding my memories, vintage traces, is just a joy. I still have not figured out to push that more into my works, I’ll keep exploring.

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The Pre-Garden

May 04, 2022 in Art

Before I moved onto my current state of exploring photographs heavily with paint, I had a short digression period of really drawing and painting figures and faces- It's just been my habit ever since I knew how to hold a pencil. I have a great amount of passion of exceeding parts of art in techniques in my expectations, and almost last year of school, I thought it would be a perfect time to do that apart from my photography.

Probably the reason why I could not give up painting was in the past there were people who drew my face and gave me as a gift- and that was just a powerful source of positive memory that I could never forget. My art teacher back in my undergrad used to make us draw models in 15 mins for our fast hand practice. Awestruck of his skills, one day I was in class on my birthday and I asked him to draw me in that time for my birthday gift. That work still hangs in my room in Oklahoma- funny story, the custom framing probably cost way more than the paper and the materials used (laugh). But the frame done at Hobby Lobby had great craftsmanship, in turquoise color, I never get sick of looking at that color.

Another drawings were done by my longing friend who lives across the seas, another artist I always thank God that there is another Christian Artist who draws everyday for Jesus. He used to send me small sketches of my photos in Instagram, and of course on my birthday a portrait of me in blond hair was sent in a white frame.

I've been having those drawings of me for the longest time, and now I realize a tiny bit the power of art it has when it becomes drawing a person in front of my blank sketchbook. It means I observe them constantly, feel the emotions of the atmosphere, think about the memories, it goes beyond just imitating the shapes, lines, and shadows. As I received such lovely experience from the past, I did not want to give up so I could be the artist one day to draw someone as a gift. And the receiver will find the same joy I felt in receiving such gift.

The elements that I do not give up in my works these days are Hanbok, botanicals, and texture. The texture is actually built with my own photographs and watercolor paintings that were practices. Meaning, the background is not just a wall paper but a texture and a pattern created in my own memories of living the world creating such things. Somehow I have always been incorporating Seafoam Green since I had a commission last year and the client wanted that specific green in the artworks and I've been obsessed with it. It's such a mysterious color in between femininity, masculinity, and also between energy and calmness.

Also modeling paste is my best friend that I must have for my works- I had this modeling paste from Liquitex for so long that when I squeeze it the paste is actually matte and solid, not watery and glossy- which I loved because it created texture so quick and dried in short amount of time. I used all that and got new set from a different brand and I was so impatient because drying took forever!

The two experiments that I did opened my skillset to really incorporate photographs with mixed media. Can't wait to share more ! :)

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Two people, one Moon (Koi)

May 04, 2022 in Art

It was during a time where I was going through a quite deep time of sorrow, and I hate it when the weather starts to warm up when my heart is still cold inside. My dear Hoya took me to Gathering place and we sat down on a huge rock by the sands near the pond, and just talked. The wind was so breezy and pink flowers were flourishing all over the park as it usually does in Tulsa in Spring. I still feel strange and abnormal to lean against people emotionally in times of dark times but God granted me a great company not only as a person but in sweet nature of his creation too. The film photos I took at the Gathering Place were all my inspiration for this collection, it was a very personal collection not related to any of my school works, and maybe that's why I still linger on it and have special feelings to them still.

My self portraits were taken in Nikon N64, printed with Canon MG printers on 300 GSM watercolor paper. Then painted with watercolor, after it dried I drew with color pencils or another layer of watercolor. Enjoy :)

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Unseen Landscapes

May 02, 2022 in Art

This quarter I've been taking two painting classes only, when I'm a full MFA photography major. I have been so looking forward to really challenge my long-time hidden part of artistic expression beyond realistic photography work. Of course I still take photos, every week, but I knew being in school is the most valuable, meaningful invest I could make in my life. Since I only had about a year or two left in school, I wanted to take advantage of my prestigious art school curriculum in painting.

I originally started with just figures, no photography at all- but I received many feedbacks of them finding more vitality in my works of mixed media incorporating photography. Constantly praying and searching for new inspirations, one day after feedback from my professor I realized that was God's guidance and decided to really push photography in my paintings.

Above two are in that middle stage of really centering my photography but wanting painting to dominate my works. In these two I only used photography in terms of background creating, as one of the artists my professor introduced used photography in his painting so intricately. I thought including some inspiration artist I got recommended would be nice to share and document:

Left is Alan Feltus and right is Wei dong; Feltus' muted, textured, calm figures were fitting to the overall imagery of figures I always look for, but not intentionally that realistic. Wei Dong's content is not personally welcoming as it seems to have sexualization of women but as he creates the shirt in photography and the left decorative fruits, he perfectly aligns painting and photography together.

I am not crazy about the figure, and it's interesting because I sometimes have that edgy, strongly outlined features often nowadays. Personally it's different from how I see people but I think it's relatable to how I put the first layer down so dark. The floral decorations were inspired by my these days favorite- Kristin Vestgard, I still try to find my own decorative, feminine elements to add to my figures but not found something yet. During critique I had great compliment of created landscape behind the figure, to really pull that out in front. It was an honor that it was reminded of Monet's Haystack. Surprisingly, I had been reading about Monet and of course, I loved those series. Haystack series were drawn right after Monet's fame that he had in his late age, and the painting was sold even before he had finished painting. It's funny since then I try to create that mountain-like shapes with my photographs, but can't do it! It's always that natural, spontaneous stance when amazing figures are produced.

This was actually the first piece before the above one, and now as I see Monet's Haystacks on top of this painting, I am surprised how the color scheme is so similar; yes, I did love reading Monet's work. It's funny because I read it in my Kindle which the pictures were all black and white, but I guess I seemed to just know what the colors were looking like. Can't wait to visit Giverny this summer..

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Dianthus

April 21, 2022 in Art

I have been working on a new collection, as my school project. I've been waiting for starting a new collection - to draw more on my photographs. Since I've been so prolific in my photoshoots, I had so many to choose and to tell the stories of the subjects. The feedback I received from last quarter in school was to try out new mediums to enhance the quality of illustration. Thus I incorporated color pencils, and added more layers on top to create depth. It's still a challenge for me to carve out time to make artwork along with doing photoshoots because it's a new try. But I always think about creating a tangible artwork that has depth, dimensions, and texture... Hopefully someday it will be hung on many people's walls.

I got inspired from a Japanese Painter Tadashi Asoma, an Abstract Expressionist and Japanese immigrant to America in 1960s. I mean my works do not look like anything like his (laugh), but I really loved his color palette and the mountains he draw behind the scenes. The mountains of Japan, New York, or wherever that is, that really echoed with me and wanted to incorporate those oriental lines. But my main inspiration was my subjects, as I tried to remember the time I had with my people during the shoot, or any memories that I have with them. It was like having another photoshoot with them, but like alone, and it was more reflective and memorable. The photoshoot was more of a connecting point, and the mixed media photography is more of my own aesthetic, quality time that I have.

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Pre-dianthus

April 21, 2022 in Art
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Royalty of Warmth

April 21, 2022 in Art


This collection was my final works for a printing class. I've explored more than 20 different inkjet papers to find out which paper is fit for my own artworks. Interestingly, the final paper I chose was neither of the 20 I explored; however, because of the huge experiment, I knew exactly how to print on this non-inkjet paper properly and professionally (Thank you professor Jones!) My main subject was definitely portraits and self portraits also. I loved how the prints would naturally mute as the tan mix media paper will bring everything - saturation and exposure- down to bottom and I adored that. On the print I added lavender purple color paint to bring the dullness a bit up and to tweak with a modern touch. I used color pencils to enhance the facial features and oil pastels for rich highlights especially the whites.

This time of period my Artist Quiet Time group (AKU) was meditating about the "sacrifice" we give to Jesus as we enter the preparation of passover. And We talked about how worship is different from sacrifice; worship is when we go to church on Sunday and receive such joy and blessing from God, sacrifice, is when we give our time, effort, talent, to Jesus intentionally. Usually not on Sundays, in our daily lives. Meaning, as artist, pastor reminded us to remember what was the first love, first talent as artist God gave me. And that should be the way we give sacrifice to Jesus. It's not about drawing biblical characters or somewhat holy works, but praying before my works for this time, my talent, my sweat and tears to be given to Jesus as a sacrifice. The purple represents royalty of Jesus as he should be the only one to be glorified in all my works. Enjoy!

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